A passionate cello concerto with Kian Soltani
Dvořák's Symphony No. 8
Unfortunately, this concert has already taken place. But not to worry! We will be playing many more concerts soon.
Joy and gentleness are captured in music in Antonín Dvořák's Eighth Symphony. This masterpiece brings out all the imagination in music. From the sunny, Bohemian countryside, you are transported to an elegant ball, where dancers spin, the violins sing and the timpani beat. The orchestra deploys flair and humor, as if playing a comedy about the joys of life.
Our former artist in residence (2018-2019), star cellist Kian Soltani, evokes even more imagination with his performance of Dmitri Kabalevsky's virtuosic Second Cello Concerto. An extraordinary work with a sound world all its own, from the Soviet Union in neoclassical style. Kabalevsky makes the cello a hero who takes on all kinds of challenges, while the orchestra supports or contradicts him. You feel the adrenaline, the fighting spirit and the excitement of adventure. All this is under the able direction of one of our favorite guest conductors: Michal Nesterowicz.
Due to circumstances, Valentina Peleggi is unable to conduct this concert. She will be replaced by Michal Nesterowicz.
Michal Nesterowicz conductor
KianSoltani cello
David Richter One Minute Symphony: Dein ruhiger Zufluchtsort
Glinka Overture 'Russlan and Ludmilla'
KabalevskiCello Concerto No. 2
Dvořák Symphony No. 8
Friday 11 October - 8:15 p.m.
7:15 p.m. - doors open
7:30 p.m. - starter
8:15 p.m. - concert
10:15 p.m. - end of concert
There will be an intermission.
Premium: €65
Section 1: €55
Section 2: €46
Section 3: €41
Section 4: €36
Youth Price (up to 29 years of age): €11
Prices include cloakroom service and a complimentary drink during the intermission.
Please note that seats in the 2nd balcony/orchestra ring can only be reached by stairs and Section 4 seats there have a restricted view.
Click here to view the floor plan of the Concert Hall at Amare.
"He's a remarkable cellist, with a piercingly beautiful tone and utterly pure intonation"
- The Times