Musical light in the dark
Christmas with the Residentie Orkest
Beauty and melancholy lie hidden in the cold season. Tchaikovsky's Winter Dreams is a symphony that takes winter as a metaphor for life. It's a work full of contrasts, from sparkling lights to dark shadows and from warm feelings to cold loneliness. Tchaikovsky employs a rich palette of sounds, rhythms and motifs that will swirl – and occasionally storm – through the Concert Hall tonight.
Our former artist in residence, the fantastic Yeol Eum Son, will take her seat at the piano for Rachmaninoff's Piano Concerto No. 3. This symphonic poem showcases the dialogue and harmony between the soloist and the orchestra: a balance between personal emotion and a universal message. Conducting tonight will be Kwamé Ryan, who had unprecedented chemistry with the Residentie Orkest during the acclaimed opera production Blue at the Dutch National Opera. It will form an exciting contrast with the winter theme. We'll open the evening with the famous love story of Romeo and Juliet, in a dreamy reading by the Romantic Norwegian composer Johan Svendsen, relatively unknown in the Netherlands.
Kwamé Ryan conductor
Yeol Eum Son piano
Svendsen Romeo and Juliet
Rachmaninoff Piano Concerto No. 3
Tchaikovsky Symphony No. 1, "Winter Dreams"
Friday, Dec. 20 - 8:15 p.m.
7:15 p.m. - doors open
7:30 p.m. - starter
8:15 p.m. - concert
10:15 p.m. - end of concert
Sunday, Dec. 22 - 2:15 p.m.
1:15 p.m. - doors open
1:30 p.m. - starter
2:15 p.m. - concert
4:15 p.m. - end of concert
These concerts include intermission.
Premium: €65
Section 1: €55
Section 2: €46
Section 3: €41
Section 4: €36
Youth Price (up to 29 years of age): €11
Prices include cloakroom service and a complimentary drink during the intermission.
Please note that seats in the 2nd balcony/orchestra ring can only be reached by stairs and Section 4 seats there have a restricted view.
Click here to view the floor plan of the Concert Hall at Amare.
"Yeol Eum Son's performance of Rachmaninov's Third Piano Concerto...wild standing ovation was inevitable"
- Limelight Magazine