Master pianist Steven Osborne
Anja Bihlmaier with Schubert's Unfinished Symphony
Unfortunately, this concert has already taken place. But not to worry! We will be playing many more concerts soon.
Beethoven's Fifth Piano Concerto is magisterial. The grandeur of the work befits the first meeting of two musical greats: chief conductor Anja Bihlmaier and master pianist Steven Osborne. With the Residentie Orkest tonight, they do the Emperor's concerto justice to its name. Another composer from Vienna also makes his presence felt: Franz Schubert. His Eighth Symphony is known as the "Unvollendete. After all, Schubert only made two movements. Whether more came we do not know. But what there is is definitely music of unparalleled beauty.
Scottish master pianist Steven Osborne plays with all the world's great orchestras and has won numerous awards. The Emperor Concerto has everything to let his versatility shine through: joyful and virtuoso boisterous, but also dreamy and meditative. Accordingly, the world-renowned pianist's Beethoven interpretations are blazing where necessary, moving to tears in the slow movements. For Dumbarton Oaks, Igor Stravinsky "borrowed" music from Bach. Think of it as a tribute to the genius Bach. Stravinsky himself was not at all difficult about this. No need to be: in the end he managed to make the work sound unmistakably Stravinsky-jazz-like.
Anja Bihlmaier conductor
Steven Osborne piano
Stravinsky Dumbarton Oaks
Schubert Symphony No. 8 'Unvollendete'
Beethoven Piano Concerto No. 5 'Emperor'
Sunday, April 14 - 2:15 p.m.
1:15 p.m. - doors open
1:30 p.m. - starter
2:15 p.m. - concert
4:15 p.m. - end of concert
There will be an intermission.
Premium: € 62,-
Section 1: € 52,-
Section 2: € 44,-
Section 3: € 39,-
Section 4: € 34,-
Prices include cloakroom and drink during the break.
View the map of the Concert Hall in Amare.
"With flaming piano playing, Steven Osborne seemed to try to dispel any notions of lofty grandeur or lordliness suggested by the work's subtitle, and bring back to the foreground the imagination and daring of Beethoven's Fifth Piano Concerto."
- New York Times